Right at the beginning of the editing stage, Ben and myself took all of the best pieces of film and arranged them in a rough order. We then cut some of these so that all of the best takes were in the working area.
I successfully rendered all of the original film pieces after arranging them with Ben. This meant we could work on them quicker.
Dylan and I worked on the effects. We also changed the beginning of the sequence to a more suited frame, now known by me as the "quiet scene" This is because it is silent and impacts on the audience. As well as this, we made sure that it fit into a two minute time frame. We spent ages playing around with the speed of the memory scene and settled on fast as it was a replay of past events. We also decided that black and white was a good option as, it too, is a representation of things from the past.
I successfully rendered all of the original film pieces after arranging them with Ben. This meant we could work on them quicker.
Dylan and I worked on the effects. We also changed the beginning of the sequence to a more suited frame, now known by me as the "quiet scene" This is because it is silent and impacts on the audience. As well as this, we made sure that it fit into a two minute time frame. We spent ages playing around with the speed of the memory scene and settled on fast as it was a replay of past events. We also decided that black and white was a good option as, it too, is a representation of things from the past.
I was also a part of the group discussions during the adding of the titles, even though Dylan actually set them, we were all there giving our ideas over; this is the case for most.
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